Publication: Immortal at the River
| cris.virtual.author | Tong Yang Tze | |
| cris.virtual.author | Wong Chai Lok Calligraphy Fellow | |
| cris.virtual.collection | Cornell East Asia Program Lecture and Media Series | |
| cris.virtualsource.collection | b11b565c-51f5-41e3-a240-69d81c0ebbba | |
| dc.contributor.author | Tong Yang Tze | |
| dc.contributor.author | Wong Chai Lok Calligraphy Fellow | |
| dc.date.accessioned | 2024-08-16T15:15:22Z | |
| dc.date.available | 2024-08-16T15:15:22Z | |
| dc.date.issued | 2020-06-01 | |
| dc.description.abstract | Tong Yang-Tze was the 2020 Wong Chai Lok Calligraphy Fellow. During a career spanning four decades, Yangtze has received critical acclaim for her large-scale and unrestrained cursive script. Yang-Tze's Immortal at the River was exhibited for the first time in the United States at the Herbert F. Johnson Museum of Art on campus. The subject of this 54-meter-long calligraphic work is the poem by the same name by Yang Shen (1488–1559) that forms the preface to the standard edition of the Chinese historical novel Romance of the Three Kingdoms (San guo yan yi). This video allows viewers to see the entire scroll. | |
| dc.description.sponsorship | East Asia Program Wong Chai Lok Calligraphy Fellowship Herbert F. Johnson Museum of Art Cornell Council on the Arts | |
| dc.description.viewer | 1_q65k7vox | |
| dc.identifier.uri | https://hdl.handle.net/1813/115424 | |
| dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International | en |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
| dc.subject | Tong Yang Tze | |
| dc.subject | Chinese calligraphy | |
| dc.subject | Taiwanese art | |
| dc.subject | Contemporary Chinese calligraphy | |
| dc.subject | Immortal at the River | |
| dc.subject | East Asia Program | |
| dc.title | Immortal at the River | |
| dc.type | video/moving image | |
| dspace.entity.type | Publication |