three steps, approximately.

dc.contributor.author	Sousa Lopes Cancado, Bruno
dc.contributor.chair	Ashkin, Michael
dc.contributor.committeeMember	Waite, Geoffrey Carter W
dc.contributor.committeeMember	Malinowska, Joanna Monika
dc.contributor.committeeMember	Park, Maria Y
dc.date.accessioned	2019-10-16T15:09:04Z
dc.date.available	2019-10-16T15:09:04Z
dc.date.issued	2019-05
dc.description.abstract	In January 2019 I revisited an area in the countryside of Minas Gerais, southeast of Brazil. The landscape that used to be a farm built in the 1970’s is now turning into an industrial development. The area is currently a transitory zone that enmeshes different temporalities. The modern, the traditional, the industrial, the vernacular coexist and reflect in the physicality of the space. My perception and observation as I walked those surroundings are the basis for the exhibition 'three steps, approximately'.
dc.identifier.doi	https://doi.org/10.7298/47d8-s397
dc.identifier.other	SousaLopesCancado_cornell_0058O_10521
dc.identifier.other	http://dissertations.umi.com/cornell:10521
dc.identifier.other	bibid: 11050222
dc.identifier.uri	https://hdl.handle.net/1813/69332
dc.language.iso	en_US	en_US
dc.subject	Sculpture
dc.subject	Brazil
dc.subject	photography
dc.subject	Fine arts
dc.title	three steps, approximately.	en_US
dc.type	dissertation or thesis	en_US
dcterms.license	https://hdl.handle.net/1813/59810
thesis.degree.discipline	Art
thesis.degree.grantor	Cornell University
thesis.degree.level	Master of Fine Arts
thesis.degree.name	M.F.A., Art

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