Browsing Keyboard Perspectives by Title

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Now showing items 18-37 of 70

From the Divine to the Diapason: Bach in his Religious and Instrumental Context

Cortens, Evan (2016)
Ghost Music: or, The Otherworldly Voice of the Glass Harmonica

Richards, Annette (2015)
Gustav Maria Leonhardt (May 30, 1928–January 16, 2012) A Personal Tribute

Moroney, Davitt (2012)
Hardy Rittner and Nineteenth-Century Pianos

Seskir, Sezi (2013)
Heinrich Scheidemann in Otterndorf, 1662: The Reconstruction of an Organ Dedication Service

Gable, Frederick K. (The Westfield Center for Historical Keyboard Studies, 2008)
In the Erard Archives

Kim, Ji Young (2016)
Incidental Notes on Antebellum Pianos

Libin, Laurence (2015)
Innovation in Early Eighteenth-Century Central German Organ Building

Edwards Butler, Lynn (2018)
“Instrumente Mangel”: Leipzig Cantata Movements with Obbligato Organ as a Refection of Bach’s Performing Forces

Butler, Gregory (2010)
Irony and Mechanics in Schumann’s Toccata, Op. 7

Neonato, Stefania (The Westfield Center for Historical Keyboard Studies, 2010)
Keyboard Psychohaptics: A Nexus of Multidisciplinary Research into Kinesthetics, Gesture, and Expression

Harlow, Randall (2013)
The Legacies of J. S. Bach

Cortens, Evan (2012)
Leipzig’s Organs in the Time of Bach

Edwards Butler, Lynn (2010)
Mälzel and Mechanical Music in Beethoven’s Vienna

Franseen, Kristin (2014)
A New History of the Carillon

Ng, Tiffany (2015)
“Nothing More to Conquer”: Müthel’s Duetto in the Burney Drawing Room and Beyond

Yearsley, David (2016)
On the Jeux: Unraveling the Mysteries of Sixteenth-Century French Organ Terminology

Bates, Robert (2017)
Opening a Window on the Enlightenment: A Research Organ for the Eastman School of Music

Speerstra, Joel (The Westfield Center for Historical Keyboard Studies, 2008)
Operatic Virtuosity at the Keyboard: Claude Balbastre and Rameau’s Legacy

Shukla, Saraswathi (2017)
Organ Sonatas and the Development of an American Musical Style

Marks, Christopher (2018)

Browsing Keyboard Perspectives by Title

From the Divine to the Diapason: Bach in his Religious and Instrumental Context

Ghost Music: or, The Otherworldly Voice of the Glass Harmonica

Gustav Maria Leonhardt (May 30, 1928–January 16, 2012) A Personal Tribute

Hardy Rittner and Nineteenth-Century Pianos

Heinrich Scheidemann in Otterndorf, 1662: The Reconstruction of an Organ Dedication Service

In the Erard Archives

Incidental Notes on Antebellum Pianos

Innovation in Early Eighteenth-Century Central German Organ Building

“Instrumente Mangel”: Leipzig Cantata Movements with Obbligato Organ as a Refection of Bach’s Performing Forces

Irony and Mechanics in Schumann’s Toccata, Op. 7

Keyboard Psychohaptics: A Nexus of Multidisciplinary Research into Kinesthetics, Gesture, and Expression

The Legacies of J. S. Bach

Leipzig’s Organs in the Time of Bach

Mälzel and Mechanical Music in Beethoven’s Vienna

A New History of the Carillon

“Nothing More to Conquer”: Müthel’s Duetto in the Burney Drawing Room and Beyond

On the Jeux: Unraveling the Mysteries of Sixteenth-Century French Organ Terminology

Opening a Window on the Enlightenment: A Research Organ for the Eastman School of Music

Operatic Virtuosity at the Keyboard: Claude Balbastre and Rameau’s Legacy

Organ Sonatas and the Development of an American Musical Style

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Browsing Keyboard Perspectives by Title

From the Divine to the Diapason: Bach in his Religious and Instrumental Context ﻿

Ghost Music: or, The Otherworldly Voice of the Glass Harmonica ﻿

Gustav Maria Leonhardt (May 30, 1928–January 16, 2012) A Personal Tribute ﻿

Hardy Rittner and Nineteenth-Century Pianos ﻿

Heinrich Scheidemann in Otterndorf, 1662: The Reconstruction of an Organ Dedication Service ﻿

In the Erard Archives ﻿

Incidental Notes on Antebellum Pianos ﻿

Innovation in Early Eighteenth-Century Central German Organ Building ﻿

“Instrumente Mangel”: Leipzig Cantata Movements with Obbligato Organ as a Refection of Bach’s Performing Forces ﻿

Irony and Mechanics in Schumann’s Toccata, Op. 7 ﻿

Keyboard Psychohaptics: A Nexus of Multidisciplinary Research into Kinesthetics, Gesture, and Expression ﻿

The Legacies of J. S. Bach ﻿

Leipzig’s Organs in the Time of Bach ﻿

Mälzel and Mechanical Music in Beethoven’s Vienna ﻿

A New History of the Carillon ﻿

“Nothing More to Conquer”: Müthel’s Duetto in the Burney Drawing Room and Beyond ﻿

On the Jeux: Unraveling the Mysteries of Sixteenth-Century French Organ Terminology ﻿

Opening a Window on the Enlightenment: A Research Organ for the Eastman School of Music ﻿

Operatic Virtuosity at the Keyboard: Claude Balbastre and Rameau’s Legacy ﻿

Organ Sonatas and the Development of an American Musical Style ﻿

Explore eCommons

About eCommons

Help

Make a Deposit

My Account

From the Divine to the Diapason: Bach in his Religious and Instrumental Context

Ghost Music: or, The Otherworldly Voice of the Glass Harmonica

Gustav Maria Leonhardt (May 30, 1928–January 16, 2012) A Personal Tribute

Hardy Rittner and Nineteenth-Century Pianos

Heinrich Scheidemann in Otterndorf, 1662: The Reconstruction of an Organ Dedication Service

In the Erard Archives

Incidental Notes on Antebellum Pianos

Innovation in Early Eighteenth-Century Central German Organ Building

“Instrumente Mangel”: Leipzig Cantata Movements with Obbligato Organ as a Refection of Bach’s Performing Forces

Irony and Mechanics in Schumann’s Toccata, Op. 7

Keyboard Psychohaptics: A Nexus of Multidisciplinary Research into Kinesthetics, Gesture, and Expression

The Legacies of J. S. Bach

Leipzig’s Organs in the Time of Bach

Mälzel and Mechanical Music in Beethoven’s Vienna

A New History of the Carillon

“Nothing More to Conquer”: Müthel’s Duetto in the Burney Drawing Room and Beyond

On the Jeux: Unraveling the Mysteries of Sixteenth-Century French Organ Terminology

Opening a Window on the Enlightenment: A Research Organ for the Eastman School of Music

Operatic Virtuosity at the Keyboard: Claude Balbastre and Rameau’s Legacy

Organ Sonatas and the Development of an American Musical Style