Digital access to this material is pending artist's approval. Materials may be viewed onsite at the Goldsen Archive, Division of Rare and Manuscript Collections, Kroch Library, Cornell University.

My work builds on the tradition of installations that incorporate live imagery of viewers to alter their sense of space, time, power, and self. It also shares a lineage with work that explores the formal properties and infrastructure of the video medium itself. Significantly, however, my work extends the possibilities of both genres by involving computational tools. Because I write my own software, I can both extract and reinterpret information in the incoming video signal, and radically refigure the output possibilities for time-based imagery. While many artists work with available digital tools for editing and compositing moving imagery, I am interested in inventing new possibilities for the medium itself.

Recent Submissions

  • 2008 Rockefeller New Media Foundation Proposal 

    Utterback, Camille (2009-06-08)
    Raw Data - Personal Visceral Devices explores how contemporary technology can provide us with new relationships to our visceral experiences of pleasure and pain. Our primary contemporary mode of personal memory is ...
  • 2007 Rockefeller New Media Foundation Proposal 

    Utterback, Camille (2009-03-31)
    Temporal Contraptions are hybrid interactive installations/objects that create multi-directional feedback loops between the physical world, computational systems, and past states of both. In these pieces, an artist-written ...

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