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Olson, Katelin Elizabeth Tomlan, Michael Andrew Sachs, Aaron Campanella, Thomas J. 2018-10-23T13:35:52Z 2020-08-22T06:00:19Z 2018-08-30 ProQuest Submission ID: 11099 ProQuest Publication ID: 10928919 https://hdl.handle.net/1813/59751 https://doi.org/10.7298/X4348HKF 10489849 Three miles east of downtown Buffalo, NY, the Broadway-Fillmore neighborhood was the historic epicenter of the city’s Polish community starting in the 1880s. Using case studies, the following work investigates the natural and architectural history of one corner of the neighborhood, recognized in the early 20th century as the parish of Corpus Christi Roman Catholic Church. Once one of the city’s densest areas, the neighborhood experienced a precipitous physical and demographic decline in the mid-20th century. Vacant lots and dilapidated residences now characterize the space, interspersed between three iconic structures: the Central Terminal, Corpus Christi R.C., and the Broadway Market. The crux of the project revolves around exploring how the Broadway-Fillmore corridor transformed from the heart of a vibrant, largely working class community into its current, struggling, diminished physical state. This central inquiry spawned a number of related questions. What specifically occurred in the neighborhood—what decisions were made, what strategies were employed, what issues ignored or debated—that exacerbated its decline? How did the character of the land itself, now compressed under cracked asphalt and the intermittent foundation, affect human usage? What can the histories of three anchor complexes teach us about the impacts of decisions on the neighborhood’s built and natural spaces? How did external mid-century urban planning decisions intensify neighborhood challenges? Finally, what role should nostalgia play in neighborhood advocacy, how does the literature on historic preservation address it, and how can preservation narratives be used to encourage culturally inclusive histories? A micro-history of a working class neighborhood in an American post-industrial city, this work demonstrates that history is not a linear process. Instead, it is formed in layers. Events—geological, ecological, environmental, sociological—compile over time and are manifest in the natural and built landscapes. Careful analysis can contribute to nuanced historic narratives that promote inclusivity within urban and historic preservation planning. en_US History Planning Buffalo Historic Preservation Urban planning NY Urban Stratigraphy: The Backstory on Thirty-One Buffalo Blocks dissertation or thesis application/pdf City and Regional Planning Cornell University Doctor of Philosophy Ph. D., City and Regional Planning https://hdl.handle.net/1813/59810 Publication Cornell Theses and Dissertations Olson, Katelin Elizabeth 5893a6ea-7af3-41d7-abc6-04bcd26ab5df open.access open.access <Publication xmlns="https://www.openaire.eu/cerif-profile/1.1/" id="0c0b4b52-ac04-49be-9d4c-0d3d955628b0"> <Type xmlns="https://www.openaire.eu/cerif-profile/vocab/COAR_Publication_Types">http://purl.org/coar/resource_type/c_1843</Type> <Language>en_US</Language> <Title>Urban Stratigraphy: The Backstory on Thirty-One Buffalo Blocks</Title> <PublishedIn> <Publication> </Publication> </PublishedIn> <PublicationDate>2018-08-30</PublicationDate> <DOI>https://doi.org/10.7298/X4348HKF</DOI> <Authors> <Author> <DisplayName>Olson, Katelin Elizabeth</DisplayName> <Affiliation> <OrgUnit> </OrgUnit> </Affiliation> </Author> </Authors> <Editors> </Editors> <Publishers> <Publisher> <OrgUnit /> </Publisher> </Publishers> <Keyword>History</Keyword> <Keyword>Planning</Keyword> <Keyword>Buffalo</Keyword> <Keyword>Historic Preservation</Keyword> <Keyword>Urban planning</Keyword> <Keyword>NY</Keyword> <Abstract>Three miles east of downtown Buffalo, NY, the Broadway-Fillmore neighborhood was the historic epicenter of the city’s Polish community starting in the 1880s. Using case studies, the following work investigates the natural and architectural history of one corner of the neighborhood, recognized in the early 20th century as the parish of Corpus Christi Roman Catholic Church. Once one of the city’s densest areas, the neighborhood experienced a precipitous physical and demographic decline in the mid-20th century. Vacant lots and dilapidated residences now characterize the space, interspersed between three iconic structures: the Central Terminal, Corpus Christi R.C., and the Broadway Market. The crux of the project revolves around exploring how the Broadway-Fillmore corridor transformed from the heart of a vibrant, largely working class community into its current, struggling, diminished physical state. This central inquiry spawned a number of related questions. What specifically occurred in the neighborhood—what decisions were made, what strategies were employed, what issues ignored or debated—that exacerbated its decline? How did the character of the land itself, now compressed under cracked asphalt and the intermittent foundation, affect human usage? What can the histories of three anchor complexes teach us about the impacts of decisions on the neighborhood’s built and natural spaces? How did external mid-century urban planning decisions intensify neighborhood challenges? Finally, what role should nostalgia play in neighborhood advocacy, how does the literature on historic preservation address it, and how can preservation narratives be used to encourage culturally inclusive histories? A micro-history of a working class neighborhood in an American post-industrial city, this work demonstrates that history is not a linear process. Instead, it is formed in layers. Events—geological, ecological, environmental, sociological—compile over time and are manifest in the natural and built landscapes. Careful analysis can contribute to nuanced historic narratives that promote inclusivity within urban and historic preservation planning.</Abstract> <Access xmlns="http://purl.org/coar/access_right" > </Access> </Publication>