STUDIO OBSTACLES

dc.contributor.author	Starling, Sophia
dc.contributor.chair	Ostendarp, Carl A.
dc.contributor.committeeMember	Malinowska, Joanna Monika
dc.contributor.committeeMember	Papalexandri-Alexandri, Marianthi
dc.date.accessioned	2019-10-15T15:30:47Z
dc.date.available	2019-10-15T15:30:47Z
dc.date.issued	2019-05-30
dc.description.abstract	ABSTRACT Working inside the lexicon of abstraction, my grounding in painting has led me to push at the boundaries of critical classifications set within the discourse. Thus, gender, humour, philosophical enquiry and material investigation assert themselves within my practice, in search of the uncanny and unspecified
dc.identifier.doi	https://doi.org/10.7298/xtm4-y460
dc.identifier.other	Starling_cornell_0058O_10549
dc.identifier.other	http://dissertations.umi.com/cornell:10549
dc.identifier.other	bibid: 11050368
dc.identifier.uri	https://hdl.handle.net/1813/67386
dc.language.iso	en_US
dc.subject	Fine arts
dc.title	STUDIO OBSTACLES
dc.type	dissertation or thesis
dcterms.license	https://hdl.handle.net/1813/59810
thesis.degree.discipline	Art
thesis.degree.grantor	Cornell University
thesis.degree.level	Master of Fine Arts
thesis.degree.name	M.F.A., Art

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