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dc.contributor.authorSousa Lopes Cancado, Bruno
dc.date.accessioned2019-10-16T15:09:04Z
dc.date.available2019-10-16T15:09:04Z
dc.date.issued2019-05
dc.identifier.otherSousaLopesCancado_cornell_0058O_10521
dc.identifier.otherhttp://dissertations.umi.com/cornell:10521
dc.identifier.otherbibid: 11050222
dc.identifier.urihttps://hdl.handle.net/1813/69332
dc.description.abstractIn January 2019 I revisited an area in the countryside of Minas Gerais, southeast of Brazil. The landscape that used to be a farm built in the 1970’s is now turning into an industrial development. The area is currently a transitory zone that enmeshes different temporalities. The modern, the traditional, the industrial, the vernacular coexist and reflect in the physicality of the space. My perception and observation as I walked those surroundings are the basis for the exhibition 'three steps, approximately'.
dc.language.isoen_USen_US
dc.subjectSculpture
dc.subjectBrazil
dc.subjectphotography
dc.subjectFine arts
dc.titlethree steps, approximately.en_US
dc.typedissertation or thesisen_US
thesis.degree.disciplineArt
thesis.degree.grantorCornell University
thesis.degree.levelMaster of Fine Arts
thesis.degree.nameM.F.A., Art
dc.contributor.chairAshkin, Michael
dc.contributor.committeeMemberWaite, Geoffrey Carter W
dc.contributor.committeeMemberMalinowska, Joanna Monika
dc.contributor.committeeMemberPark, Maria Y
dcterms.licensehttps://hdl.handle.net/1813/59810
dc.identifier.doihttps://doi.org/10.7298/47d8-s397


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