"Fingers Glittering Above a Keyboard:" The Keyboard Works And Hybrid Creative Practices Of Tristan Perich
This dissertation examines the life and work of Tristan Perich, with a focus on his works for keyboard instruments. Developing an understanding of his creative practices and a familiarity with his aesthetic entails both a review of his personal narrative as well as its intersection with relevant musical, cultural, technological, and generational discourses. This study examines relevant groupings in music, art, and technology articulated to Perich and his body of work including dorkbot and the New Music Community, a term established to describe the generationally-inflected structural shifts in the field of contemporary music that emerged in New York City in the first several years of the twenty-first century. Perich’s one-bit electronics practice is explored, and its impact on his musical and artistic work is traced across multiple disciplines and a number of aesthetic, theoretical, and technical parameters. This dissertation also substantiates the centrality of the piano to Perich’s compositional process and to his broader aesthetic cosmology. A selection of his works for keyboard instruments are analyzed, and his unique approach to keyboard technique is contextualized in relation to traditional Minimalist piano techniques and his one-bit electronics practice.
Electroacoustic Music; New Music; One-Bit Electronics; Piano; Tristan Perich; Minimalism; Musical composition; Music history; Music
Ernste, Kevin M.; Piekut, Benjamin D.; Kim-Spinazzola, Ariana
Doctor of Musical Arts
Attribution-NonCommercial-NoDerivatives 4.0 International
dissertation or thesis
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 International
Showing items related by title, author, creator and subject.
The Learning Trajectory Of Musical Memory: From Schematic Processing Of Novel Melodies To Robust Musical Memory Representations Agres, Kathleen (2013-01-28)This dissertation utilizes a multi-method approach to investigate the processes underlying musical learning and memory. Particular emphasis is placed on schematic processing, musical structure, temporal aspects of learning, ...
Gendall, Christopher (2010-10-20)New Musical Rhythm: Toward a Reductive Analytical Method for Music since 1900 complements existing theories by examining modes of composition that exploit non-metrical structures. Rhythmic identities that avoid or reorient ...