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dc.contributor.authorXu, Linzhou
dc.date.accessioned2018-10-03T19:28:03Z
dc.date.available2018-10-03T19:28:03Z
dc.date.issued2017-12-30
dc.identifier.otherXu_cornell_0058O_10211
dc.identifier.otherhttp://dissertations.umi.com/cornell:10211
dc.identifier.otherbibid: 10474240
dc.identifier.urihttps://hdl.handle.net/1813/59137
dc.description.abstractThis thesis discusses the imagination of spaces in the late Qing novel The New Story of a Stone. Analyzing the imagination of the spaces such as “museum” and “submarine” in the novel, this thesis explores the author Wu Jianren’s attitude toward China and the West, Chinese traditional culture and modernity at the turn of twentieth century. The thesis argues that the novel embodies Wu’s ambivalent values towards traditional indigenous culture and foreign modern culture.
dc.language.isoen_US
dc.subjectLiterature
dc.titleTHE IMAGINATIONS OF SPACES IN THE NEW STORY OF A STONE
dc.typedissertation or thesis
thesis.degree.disciplineAsian Studies
thesis.degree.grantorCornell University
thesis.degree.levelMaster of Arts
thesis.degree.nameM.A., Asian Studies
dc.contributor.chairSon, Suyoung
dc.contributor.committeeMemberAdmussen, Nicholas
dcterms.licensehttps://hdl.handle.net/1813/59810
dc.identifier.doihttps://doi.org/10.7298/X4FT8J8T


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