Browsing Keyboard Perspectives by Title

Confessions of a Self-Taught Improviser

Erickson, Raymond (The Westfield Center for Historical Keyboard Studies, 2009)

Continuo Practice in the Bach Cantatas Instruments and Style

Dirst, Matthew (The Westfield Center for Historical Keyboard Studies, 2010)

Conversation: Fortepianist Andrew Willis Talks To Instrument Maker David Sutherland

Willis, Andrew (The Westfield Center for Historical Keyboard Studies, 2008)

Dudley Buck and the Evolution of American Pedal Technique

Marks, Christopher (2011)

Ears, Hands, and Throats (Review)

Helyard, Erin (2014)

An Enigmatic Legacy: Organ Music and the Berlin Bach Traditions

Schulenberg, David (2011)

From the Divine to the Diapason: Bach in his Religious and Instrumental Context

Cortens, Evan (2016)

Ghost Music: or, The Otherworldly Voice of the Glass Harmonica

Richards, Annette (2015)

Gustav Maria Leonhardt (May 30, 1928–January 16, 2012) A Personal Tribute

Moroney, Davitt (2012)

Hardy Rittner and Nineteenth-Century Pianos

Seskir, Sezi (2013)

Heinrich Scheidemann in Otterndorf, 1662: The Reconstruction of an Organ Dedication Service

Gable, Frederick K. (The Westfield Center for Historical Keyboard Studies, 2008)

In the Erard Archives

Kim, Ji Young (2016)

Incidental Notes on Antebellum Pianos

Libin, Laurence (2015)

Innovation in Early Eighteenth-Century Central German Organ Building

Edwards Butler, Lynn (2018)

“Instrumente Mangel”: Leipzig Cantata Movements with Obbligato Organ as a Refection of Bach’s Performing Forces

Butler, Gregory (2010)

Irony and Mechanics in Schumann’s Toccata, Op. 7

Neonato, Stefania (The Westfield Center for Historical Keyboard Studies, 2010)

Keyboard Psychohaptics: A Nexus of Multidisciplinary Research into Kinesthetics, Gesture, and Expression

Harlow, Randall (2013)

The Legacies of J. S. Bach

Cortens, Evan (2012)

Leipzig’s Organs in the Time of Bach

Edwards Butler, Lynn (2010)

Mälzel and Mechanical Music in Beethoven’s Vienna

Franseen, Kristin (2014)