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dc.contributor.authorFerraris-Besso, Carolineen_US
dc.date.accessioned2012-06-28T20:56:49Z
dc.date.issued2012-01-31en_US
dc.identifier.otherbibid: 7745088
dc.identifier.urihttps://hdl.handle.net/1813/29256
dc.description.abstractThis dissertation considers the making of the Tahitian other through verbal and pictorial images. My interdisciplinary analysis is grounded in the productive use of concepts such as framing and mise-en-scène. Taking as an example accounts of the first landing in Tahiti, I argue that, after the end of the eighteenth century, the status of images in travel relations changes: from allegorical or ornamental to realist or truthful. This change is concomitant with a turn within cultural anthropology, which displaces the other from absolute stranger to merely different, ultimately giving birth to the figure of the métèque (foreigner). Following this insight, I formulate an aesthetic theory for Loti and Gauguin, that envisions them as making verbal and pictorial images eroticizing, depersonalizing, and marginalizing, as had already been observed about colonial postcards of Algeria by Malek Alloula in his Harem Colonial. Informed both by key anthropological and sociological texts (Goffman, Lévy-Bruhl) and the technical-historical context (the emergence of photographs and postcards), I closely analyze the works of Loti and Gauguin in order to demonstrate that what is at stake in their use of words and images actually goes beyond the literary or artistic frame, as each author develops different strategies to cope with the replacement of the Other by the different. Loti's obsession with self-portraits and his re-creation of a colonial empire in his Rochefort house, and Gauguin's repeated motifs from Brittany to Polynesia, I suggest, are just so many responses to loss.en_US
dc.language.isoen_USen_US
dc.subjectTahitien_US
dc.subjectPaul Gauguinen_US
dc.subjectPierre Lotien_US
dc.subjectWilliam Hodgesen_US
dc.subjectHenri Lebeauen_US
dc.subjectpostcardsen_US
dc.subjectPatagoniaen_US
dc.subjecttravelen_US
dc.subjectphotographyen_US
dc.titlePostcards From Tahiti: Images Of The Other From William Hodges To Pierre Loti And Paul Gauguinen_US
dc.typedissertation or thesisen_US
dc.description.embargo2022-06-01
thesis.degree.disciplineRomance Studies
thesis.degree.grantorCornell Universityen_US
thesis.degree.levelDoctor of Philosophy
thesis.degree.namePh. D., Romance Studies
dc.contributor.chairDubreuil, Laurenten_US
dc.contributor.committeeMemberMelas, Natalie Anne-Marieen_US
dc.contributor.committeeMemberBerger, Anne Emanuelleen_US


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