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dc.contributor.authorIsbell, Billie Jean
dc.date.accessioned2005-09-14T16:19:19Z
dc.date.available2005-09-14T16:19:19Z
dc.date.issued1998
dc.identifier.citationIsbell, Billie Jean. Violence in Peru: Performances and Dialogues. American Anthropologist 100:2 (1998): 283-292.en_US
dc.identifier.issn0002-7294
dc.identifier.urihttps://hdl.handle.net/1813/2195
dc.description.abstractI wish not only to influence my readers' perceptions of the political violence that has shaken Peru in the last decade and a half, but also to transform the relationship of researchers to such events and the rules of academic discourse about such events. The protest songs and art will not be analyzed in terms of subaltern art and hegemonic texts or in any of the usual oppositions such as traditional-modern, but rather in terms of hybridization in the exchange of ideological and cultural goods.en_US
dc.format.extent11266813 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoen_US
dc.publisherAmerican Anthropologisten_US
dc.subjectAndean Cultureen_US
dc.subjectPeruen_US
dc.subjectPolitical Violenceen_US
dc.subjectChuschien_US
dc.subjectProtest arten_US
dc.subjectProtest songsen_US
dc.subjectQuechua Cultureen_US
dc.subjectArpillerasen_US
dc.subjectTablasen_US
dc.subjectRetablosen_US
dc.titleViolence in Peru: Performances and Dialoguesen_US
dc.typearticleen_US


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