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dc.contributor.authorBachrach, Jonathan
dc.date.accessioned2009-03-27T19:44:41Z
dc.date.available2009-03-27T19:44:41Z
dc.date.issued2009-03-27T19:44:41Z
dc.identifier.urihttps://hdl.handle.net/1813/12134
dc.description.abstractThe development of a series of biologically inspired sculptural substrates, a generative programming language, called Proto, for describing motion, and a series of art pieces implementing movement concepts described in Proto and realized on the sculptural substrates. Each biologically inspired substrate involves an ecology of elements intertwined in a sustainable relationship, exhibiting a high degree of freedom grace, and able to execute distributed sensor/motor programs. The Proto language provides a formal and executable description of space-time behaviors with gross movements being described intuitively at a very high level and translated into distributed sensor/motor programs on individual parts. The language and substrate together allow the creation of a range of sculptural forms and motions unachievable to date. Concepts and themes from choreography, sociology, intimacy, and biology will be explored.en_US
dc.subjectroboticsen_US
dc.subjectkinetic sculptureen_US
dc.subjectinstallationen_US
dc.subjectchoreographyen_US
dc.subjectProtoen_US
dc.subjectgoozeen_US
dc.subjectjackbackracken_US
dc.subjectartificial lifeen_US
dc.subjectartificial intelligenceen_US
dc.title2007 Rockefeller New Media Foundation Proposalen_US


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