Show simple item record

dc.contributor.authorGarloff, Katja
dc.date.accessioned2022-01-14T16:07:52Z
dc.date.available2022-01-14T16:07:52Z
dc.date.issued2016-12-15
dc.identifier.isbn9781501704963 (print)
dc.identifier.isbn9781501706561 (epub)
dc.identifier.isbn9781501706011 (PDF ebook)
dc.identifier.urihttps://hdl.handle.net/1813/110722
dc.description.abstractSince the late eighteenth century, writers and thinkers have used the idea of love—often unrequited or impossible love—to comment on the changing cultural, social, and political position of Jews in the German-speaking countries. In Mixed Feelings, Katja Garloff asks what it means for literature (and philosophy) to use love between individuals as a metaphor for group relations. This question is of renewed interest today, when theorists of multiculturalism turn toward love in their search for new models of particularity and universality. Mixed Feelings is structured around two transformative moments in German Jewish culture and history that produced particularly rich clusters of interfaith love stories. Around 1800, literature promoted the rise of the Romantic love ideal and the shift from prearranged to love-based marriages. In the German-speaking countries, this change in the theory and practice of love coincided with the beginnings of Jewish emancipation, and both its supporters and opponents linked their arguments to tropes of love. Garloff explores the generative powers of such tropes in Moses Mendelssohn, G. E. Lessing, Friedrich Schlegel, Dorothea Veit, and Achim von Arnim. Around 1900, the rise of racial antisemitism had called into question the promises of emancipation and led to a crisis of German Jewish identity. At the same time, Jewish- Christian intermarriage prompted public debates that were tied up with racial discourses and concerns about procreation, heredity, and the mutability and immutability of the Jewish body. Garloff shows how modern German Jewish writers such as Arthur Schnitzler, Else Lasker-Schüler, and Franz Rosenzweig wrest the idea of love away from biologist thought and reinstate it as a model of sociopolitical relations. She concludes by tracing the relevance of this model in post-Holocaust works by Gershom Scholem, Hannah Arendt, and Barbara Honigmann.
dc.language.isoen
dc.publisherCornell University Press
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectGerman Studies
dc.subjectLiterary & Cultural Studies
dc.subjectMoses Mendelssohn
dc.subjectG. E. Lessing
dc.subjectFriedrich Schlegel
dc.subjectDorothea Veit
dc.subjectAchim von Arnim
dc.subjectantisemitism
dc.subjectJewish-Christian intermarriage
dc.subjectthe Jewish body
dc.subjectArthur Schnitzler
dc.subjectElse Lasker-Schüler
dc.subjectFranz Rosenzweig
dc.subjectGershom Scholem
dc.subjectHannah Arendt
dc.subjectBarbara Honigmann
dc.titleMixed Feelings: Tropes of Love in German Jewish Culture
dc.typebook
dcterms.licensehttps://hdl.handle.net/1813/102797
dc.identifier.doihttps://doi.org/10.7298/nhdw-vb55
schema.accessibilityFeaturereadingOrder
schema.accessibilityFeaturestructuralNavigation
schema.accessibilityFeaturedisplayTransformability
schema.accessibilityHazardnone
schema.accessibilitySummary"Accessibility Feature(s)" apply only to the EPUB file.


Files in this item

Thumbnail
Thumbnail
Thumbnail

This item appears in the following Collection(s)

Show simple item record

Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 International

Statistics