This talk examines the voices of “comfort women” as a motif in Chinese wartime literature in the 1930s and 1940s, as well as recent documentary films Thirty-Two (2013) and Twenty Two (2015), which focus on the daily lives of the dwindling number of “comfort women” survivors in China. This talk explores how personal testimonials of “comfort women” can be included in collective memory and how women’s wartime sufferings can be remembered within and without a nationalist framework.